Objects – both symbolic and useful – play important roles in The Leftovers. For example, Kevin’s shirts illustrate the life he lives during his fugue states. The G.R.’s cigarettes suggest both the ridiculous circumstances of a commodity culture they resist and the willingness of the group to bodily self-destruct as a means of meditation. The National Geographic from Kevin Garvey, Sr. is a treasure trove of referential possibilities. Symbols and object relations are everywhere in the show and create a rich subtext operating concurrently with the rest of the story. They provide a kind of pastiche of references that, read together within the context of the show, provide a secondary narrative layer that might provide clues about what the show is trying to convey.
One such object that makes a conspicuous appearance throughout the season is the cell phone. It plays an important role in the lives of characters both before and after the Departure and suggests changing relationships between people, people and objects, and people and society. It shows up as a presence, lurking here and there as a distraction, a lifeline, or a doorway to an individual set of experiences that are simultaneously inclusionary (drawing individuals into relationships with vast, invisible communities) and exclusionary (in the way it supplants real relationships between people, families, and communities). It’s a timely subject, and one that the show treats in interesting ways.Read More
“Solace for Tired Feet” provided several significant clues for the remaining three episodes of The Leftovers this season. While several minor clues were given, perhaps none were as significant as the clues we can find by examining the mysterious May 1972 issue of National Geographic that Kevin Garvey Sr. tells his son is an invitation he needs to accept.Read More