Holy Wayne's healing powers have been contested throughout Season 1 of The Leftovers – the debate intensified following the finale. Explore theories about events from "The Prodigal Son Returns." (Spoilers follow.)Read More
Like a vacuum that implodes an object, the Departure seems to have crushed the details of each character, hardening them into more simplified shapes in keeping with whatever in them responds to their truest purpose. Prior to Episode 9, we saw the aftermath of several years of Post-Rapture Tribulation – Kevin Jr. seems to be coming apart psychologically, Patti was driven to suicide as a rhetorical device, Jill has joined the G.R., while Laurie ascends its ranks. Each of the main characters have been explored, and we finally got to see an informative glimpse into where they came from, revealing that the Rapture wasn’t the story of who disappeared (as Matt stubbornly insists), but what purpose they served in the next stage for those who remained. The show illustrates – in a more speculatively humanist, less dogmatically Christian way – a society, conspicuously similar to our own, that was already ripe for an unraveling.Read More
Last Sunday's flashback episode of The Leftovers pulled back the curtain on the lives of Mapletonians before the Departure. Beyond connecting the dots between characters, the episode referenced plenty of details from earlier installments of the series. Below are a list of several insights – collected by critics and fans alike – compiling elements that throw back to previous episodes.Read More
Objects – both symbolic and useful – play important roles in The Leftovers. For example, Kevin’s shirts illustrate the life he lives during his fugue states. The G.R.’s cigarettes suggest both the ridiculous circumstances of a commodity culture they resist and the willingness of the group to bodily self-destruct as a means of meditation. The National Geographic from Kevin Garvey, Sr. is a treasure trove of referential possibilities. Symbols and object relations are everywhere in the show and create a rich subtext operating concurrently with the rest of the story. They provide a kind of pastiche of references that, read together within the context of the show, provide a secondary narrative layer that might provide clues about what the show is trying to convey.
One such object that makes a conspicuous appearance throughout the season is the cell phone. It plays an important role in the lives of characters both before and after the Departure and suggests changing relationships between people, people and objects, and people and society. It shows up as a presence, lurking here and there as a distraction, a lifeline, or a doorway to an individual set of experiences that are simultaneously inclusionary (drawing individuals into relationships with vast, invisible communities) and exclusionary (in the way it supplants real relationships between people, families, and communities). It’s a timely subject, and one that the show treats in interesting ways.Read More
Though completely a flashback, “The Garveys at their Best” was full of symbolism and double meanings – much of concerning events to come. I’ve rounded up what I consider to be eight of the best of those symbols here with some explanation about why they’re so interesting. Note: These are all just observation and speculation, and I have not read the book (and don’t intend to).Read More
The season began with a mystery that demanded an explanation which we never got and likely never will. The set design, writing, dialogue and performances were compelling, richly delivered, and seemed to somehow make sense to us in spite of the lack of a definitive starting point.Read More
For weeks, viewers have been speculating about Dean – the bald, truck gifting, dog hunter who Kevin Garvey, Jr. can't seem to avoid. Following "Cairo," the debate heated up: Dean's actions left viewers as puzzled as Kevin was after he woke up in the woods.
Redditors were all over the subject, naturally. Below is a breakdown of the top theories concerning Dean's motives.Read More
As we saw in "Cairo," Kevin has gotten himself into the middle of a serious morality crisis. Heck, it could even be existential, given the circumstances of Grandpa Garvey coming to recruit him into some heavenly cause. But, given that he’s dealing with Patti now, after all, there was something amiss. Did you feel it, too? The slight uncertainty that…not all is as it seems? Of course you did. This is The Leftovers we're talking about. And it all falls on the Guilty Remnant, a group that, as we've seen, will do anything to keep their plans running smoothly.Read More
From what we have seen so far of the Guilty Remnant, their motives aren't too clear. To start with, the only thing we know is that they antagonize people and don't speak. If you don't look too closely at what they do, you might be led to believe that they were just another cult, doing strange things like stealing photos or ruining memorial celebrations. At first blush, they could be mistaken for just another hate cult, but I don't think that's the case. Warning: Spoilers below.Read More
As series co-creator Damon Lindelof has admitted, there’s more to the animals of Mapleton than meets the eye. In this week’s "Solace for Tired Feet," the town’s wild dogs once again rear their furry heads. Kevin Jr.'s new "pet" had fans on Reddit buzzing about what the canines mean for the Garveys and Mapletonians at large.Read More
The increasing futility and potential danger of clutching to pre-Departure symbols and institutions seems to be at the heart of The Leftovers, leaving each character in the position of establishing a new identity atop a barely concealed set of volatile, more primitive emotions. In Episode 1, Chief Garvey storms out of a pre-parade city council meeting with the warning that “Everyone’s ready to f**kin’ explode.” In Episode 2, the police department-mandated psychiatrist Kevin is ordered to see explains the presence of a blow-up penguin sitting in his office. The psychiatrist offers that, in his dealings with children, they often need an outlet toward which to redirect their aggression, so they attack the penguin. The penguin exists solely as the recipient of abuse, and the necessity of its presence suggests a lingering psychological problem in the patient – a benchmark for how much aggression still remains. The title, “Penguin one, Us Zero” suggests that the community is beginning to redirect its aggression toward the mysterious and ephemeral nature of the rapture at objects of convenience who do not fight back and who exist to be hurt. The community’s lack of acceptance for the mysteries of their universe and the rise of their latent aggression is evident in the character of Matt.Read More
The climax of Sunday's episode of The Leftovers, "Guest," involved an emotional moment – and potentially magical hug – between Nora Durst and Holy Wayne. Writer Kath Lingenfelter admits that "the way that Nora associates with people has changed," but does that mean that Wayne has a supernatural touch? Watchers debate the merits of Wayne's enterprise.Read More
The Guilty Remnant embodies the nihilistic spirit in myriad ways – from replacing the air they breathe with the smoke of one of modernity’s most insidiously manipulated products to wearing a uniform of all white. The G.R. are the most puzzling religious upstarts in a world mired in disillusionment, the breakdown of the symbolic order, and the lurking horrors of a society trying to maintain homeostasis in the wake of the Rapture and the rise of tyranny. The federal government, represented here by the AFTEC, has begun to make the turn toward the murderous. Rev. Matt, in my opinion an anti-Job who resists the will of God instead of absorbing it, grows increasingly menacing and potentially despotic. Chief Garvey, the everyman and arch-hero for a jaded, confused, cynical and existential age, desperately clings to a normative home in which to raise his daughter and one he might be able to offer to his wayward son (clearly pulled into the orbit of a megalomaniacal cult-leader).Read More